Art Collections

• Noa Reichenberg, born 1983, an Israeli based artist. Holds a BA in Arts and Philosophy, Tel Aviv University, Israel (2010), an MA in Philosophy, Tel Aviv University, Israel (2014) and BA in Social work, Ariel university, Israel (2022). In her art, she uses a technique of relief outliners, glass paints and alcohol inks on mirrors to create geometric abstractions. The geometric shapes create elements of symmetry or asymmetry in changing compositions that express movement. The use of mirrors as the basis of the artworks creates an artform that is responsive to its environment and puts the person observing the art – in its center. Each of her artworks is regarded as incomplete until a person stands in front of it, changing it by being reflected through the geometric abstractions, textures and transparencies, becoming a part of a work of art. Her works have been exhibited nationally and internationally, including at MARQ Museum of architecture and design, Buenos Aires, Argentina (2024), Haze gallery, Berlin (2021), at the 5th edition of the Jerusalem Biennale, Jerusalem, Israel (2021), CICA museum of contemporary art in South Korea (2020), Menier Gallery in London (2019), a solo exhibition at ZEZEZE gallery, Israel (2019), and in numerous exhibitions in Israel.

• Noa Reichenberg, born 1983, an Israeli based artist. Holds a BA in Arts and Philosophy, Tel Aviv University, Israel (2010), an MA in Philosophy, Tel Aviv University, Israel (2014) and BA in Social work, Ariel university, Israel (2022). In her art, she uses a technique of relief outliners, glass paints and alcohol inks on mirrors to create geometric abstractions. The geometric shapes create elements of symmetry or asymmetry in changing compositions that express movement. The use of mirrors as the basis of the artworks creates an artform that is responsive to its environment and puts the person observing the art – in its center. Each of her artworks is regarded as incomplete until a person stands in front of it, changing it by being reflected through the geometric abstractions, textures and transparencies, becoming a part of a work of art. Her works have been exhibited nationally and internationally, including at MARQ Museum of architecture and design, Buenos Aires, Argentina (2024), Haze gallery, Berlin (2021), at the 5th edition of the Jerusalem Biennale, Jerusalem, Israel (2021), CICA museum of contemporary art in South Korea (2020), Menier Gallery in London (2019), a solo exhibition at ZEZEZE gallery, Israel (2019), and in numerous exhibitions in Israel.

• Dr Moriya Mor is an accomplished Israeli sculptor and artist. She holds a BSc in Biology, an MSc, and a PhD in Science Education, along with a teaching certificate. Her deep intellectual background complements her creative practice, infusing her work with thoughtfulness and complexity. Moriya’s sculptures are born from her emotions, worries, thoughts, and hopes, which she transforms with her hands into tangible expressions of art. Beginning most often with clay, she casts her works in bronze, pours polymer materials, or employs innovative mixed media techniques that she has developed herself. She often shares that working with clay offers her the freedom to create forms, motions, and imagery that flow directly from her feelings and imagination. It also allows her to explore new materials and experiment with unique methods of self-expression. While some of her works lean toward abstraction, others embrace realism, depending on the message or emotion she seeks to convey. An energetic and dynamic individual, Moriya’s sculptures are characterized by flowing, clear, and vibrant lines. As a devoted grandmother to eight grandchildren, she often explores themes of childhood, motherhood, femininity, and the life cycle – juxtaposing old age with youth in her work. Moriya’s deep connection to her homeland is also reflected in her art. Her concerns and reflections on national events have inspired poignant installations and sculptures, such as Shout and her Birds series, which symbolize the flight of hope and light. Her passion 2 for movement, nature, and dance frequently finds expression in her creations as well. Moriya is an active member of the "Artist in Their City" initiative in Kfar Saba, her hometown, and a proud member of the Visual Artists Association of Israel. Her work continues to evolve, weaving a profound dialogue between her personal experiences, societal reflections, and boundless artistic exploration.

• Dr Moriya Mor is an accomplished Israeli sculptor and artist. She holds a BSc in Biology, an MSc, and a PhD in Science Education, along with a teaching certificate. Her deep intellectual background complements her creative practice, infusing her work with thoughtfulness and complexity. Moriya’s sculptures are born from her emotions, worries, thoughts, and hopes, which she transforms with her hands into tangible expressions of art. Beginning most often with clay, she casts her works in bronze, pours polymer materials, or employs innovative mixed media techniques that she has developed herself. She often shares that working with clay offers her the freedom to create forms, motions, and imagery that flow directly from her feelings and imagination. It also allows her to explore new materials and experiment with unique methods of self-expression. While some of her works lean toward abstraction, others embrace realism, depending on the message or emotion she seeks to convey. An energetic and dynamic individual, Moriya’s sculptures are characterized by flowing, clear, and vibrant lines. As a devoted grandmother to eight grandchildren, she often explores themes of childhood, motherhood, femininity, and the life cycle – juxtaposing old age with youth in her work. Moriya’s deep connection to her homeland is also reflected in her art. Her concerns and reflections on national events have inspired poignant installations and sculptures, such as Shout and her Birds series, which symbolize the flight of hope and light. Her passion 2 for movement, nature, and dance frequently finds expression in her creations as well. Moriya is an active member of the "Artist in Their City" initiative in Kfar Saba, her hometown, and a proud member of the Visual Artists Association of Israel. Her work continues to evolve, weaving a profound dialogue between her personal experiences, societal reflections, and boundless artistic exploration.

• Dr Moriya Mor is an accomplished Israeli sculptor and artist. She holds a BSc in Biology, an MSc, and a PhD in Science Education, along with a teaching certificate. Her deep intellectual background complements her creative practice, infusing her work with thoughtfulness and complexity. Moriya’s sculptures are born from her emotions, worries, thoughts, and hopes, which she transforms with her hands into tangible expressions of art. Beginning most often with clay, she casts her works in bronze, pours polymer materials, or employs innovative mixed media techniques that she has developed herself. She often shares that working with clay offers her the freedom to create forms, motions, and imagery that flow directly from her feelings and imagination. It also allows her to explore new materials and experiment with unique methods of self-expression. While some of her works lean toward abstraction, others embrace realism, depending on the message or emotion she seeks to convey. An energetic and dynamic individual, Moriya’s sculptures are characterized by flowing, clear, and vibrant lines. As a devoted grandmother to eight grandchildren, she often explores themes of childhood, motherhood, femininity, and the life cycle – juxtaposing old age with youth in her work. Moriya’s deep connection to her homeland is also reflected in her art. Her concerns and reflections on national events have inspired poignant installations and sculptures, such as Shout and her Birds series, which symbolize the flight of hope and light. Her passion 2 for movement, nature, and dance frequently finds expression in her creations as well. Moriya is an active member of the "Artist in Their City" initiative in Kfar Saba, her hometown, and a proud member of the Visual Artists Association of Israel. Her work continues to evolve, weaving a profound dialogue between her personal experiences, societal reflections, and boundless artistic exploration.

• Dr Moriya Mor is an accomplished Israeli sculptor and artist. She holds a BSc in Biology, an MSc, and a PhD in Science Education, along with a teaching certificate. Her deep intellectual background complements her creative practice, infusing her work with thoughtfulness and complexity. Moriya’s sculptures are born from her emotions, worries, thoughts, and hopes, which she transforms with her hands into tangible expressions of art. Beginning most often with clay, she casts her works in bronze, pours polymer materials, or employs innovative mixed media techniques that she has developed herself. She often shares that working with clay offers her the freedom to create forms, motions, and imagery that flow directly from her feelings and imagination. It also allows her to explore new materials and experiment with unique methods of self-expression. While some of her works lean toward abstraction, others embrace realism, depending on the message or emotion she seeks to convey. An energetic and dynamic individual, Moriya’s sculptures are characterized by flowing, clear, and vibrant lines. As a devoted grandmother to eight grandchildren, she often explores themes of childhood, motherhood, femininity, and the life cycle – juxtaposing old age with youth in her work. Moriya’s deep connection to her homeland is also reflected in her art. Her concerns and reflections on national events have inspired poignant installations and sculptures, such as Shout and her Birds series, which symbolize the flight of hope and light. Her passion 2 for movement, nature, and dance frequently finds expression in her creations as well. Moriya is an active member of the "Artist in Their City" initiative in Kfar Saba, her hometown, and a proud member of the Visual Artists Association of Israel. Her work continues to evolve, weaving a profound dialogue between her personal experiences, societal reflections, and boundless artistic exploration.

• London-based Artist Bettina Caro was born in Morocco in 1955. She is a direct descendant of Rabbi Yosef Caro (1488-1575) author of the great codification of Jewish law, the hulchan Aruch. From an early age, Caro showed an aptitude for drawing which was encouraged by her father, a keen amateur painter. In 1973 she moved to Madrid where she studied art and architecture at the University of Madrid. In 1978, the Jewish community of Madrid commissioned her to paint a portrait of King Juan Carlos of Spain on the occasion of his visit to the synagogue. She moved to London in 1981 where she now lives and works. Bettina is best known for her evocations of Sephardi life in North Africa and her paintings of Jewish rituals. She also paints landscapes of Israel and France and still life including Jewish ritual objects. Bettina’s most recent work includes a series of large scale paintings showing Sephardi synagogues. These include a painting of the Tangiers Synagogue in which she worshipped as a child. Caro explains that ‘many of these synagogues are no longer used regularly for worship. I paint these lost treasures which need to be captured on canvas so that they can be available for future generations to admire’. A number of her works will Moroccan Jewish brides wearing their traditional dress, either preparing for the wedding ceremony or taking part in the Noche de Berberisca, the ceremony held before the wedding. Caro pays particular attention to the bridal outfit, explaining ‘the motifs are deeply symbolic. The skirt is embroidered with 12 gold stripes representing the 12 tribes of Israel and the corset is decorated with an image of the Tree of Life. I am particularly drawn to the headdress called the Jemaar which looks so like a crown. I was lucky enough to wear a dress brought to me by my cousin from Madrid and was delighted that my daughters continued this tradition at their own henna ceremonies.’ Several paintings focus on the North African tea ceremony where mint tea is served to guests. For these, Caro has painted her tea service, which belonged to her mother and which she carefully brought to England. Whilst the tea pot is made of silver, guests drink from delicate coloured glass cups that are decorated with gold leaf. There is also a series of Still Life paintings which depict items of Judaica and jewellery from Tangiers and Tetuan, which have been in the Caro family for generations. Bettina is regularly commissioned to paint portraits and her sitters have included Rabbi Abraham Levy of the Spanish and Portuguese Synagogue, Dayan Toledano and several members of the Dangoor family. She is also renowned for her original Ketubah designs which are much in demand from bridal couples. Bettina Caro has had a number of solo exhibitions including, most recently, a solo show at the Centro Sepharad-Israel in Madrid in 2018. She has also had two at the London Jewish Cultural Centre in 2011 and 2014. Her work has also been exhibited at the Mall Gallery and the G&C Gallery in Tunbridge Wells. Her works are in the collections of the Board of Deputies, The Northwood & Pinner Liberal Synagogue, the Ben Uri Gallery, the Spanish & Portuguese Sephardi Synagogue and the Israeli Embassy in London, as well as the Jewish General Hospital in Montreal.

• The Sephardi artist Bettina Caro was born inMorocco and now works in a studio in Hampstead, north London. Her evocative paintings capture the light and vibrancy of her North African childhood and she brings all the intensity, passion and richness of Sephardi life into her works. Her powerful portraits and still life honour and preserve a lost culture. Bettina’s exhibitions, public works and private commissions alike reveal her deep connection to the past – Jewish heritage celebrated in Jewish art. 'Growing up in Tangiers as a direct descendant of Rabbi Yosef Caro (1488–1575), author of the great codification of Jewish law the Shulchan Aruch, my roots and heritage have always been an integral part of my life. My father, a keen amateur painter, encouraged me to express myself through paint from the moment I could hold a brush. It was he who taught me how to use linseed oil to create a blurred effect. In 1973, we moved to Spain, where I studied art and architecture at the University of Madrid. Here in England, where I have lived since 1981, I have developed my own distinct style to capture the Mediterranean landscapes of my youth and the Sephardi Jewish rituals that punctuated our family life, handed down through the generations.' Bettina paints on canvas and board, using oils to create rich tones, acrylics for their intensity, watercolours for their delicacy and gold leaf to add that transformative touch of Mediterranean sunlight. Her works are on permanent public display at the Board of Deputies, The Northwood  and Pinner Liberal Synagogue, the Ben Uri Gallery, the S&P Sephardi Synagogue and the Israeli Embassy in London, as well as the Jewish General Hospital in Montreal. She enjoys taking large and small private commissions, from the King of Spain commemorating the 500th anniversary of the expulsion of the Jews to a local London family celebrating a simcha.

• London-based Artist Bettina Caro was born in Morocco in 1955. She is a direct descendant of Rabbi Yosef Caro (1488-1575) author of the great codification of Jewish law, the hulchan Aruch. From an early age, Caro showed an aptitude for drawing which was encouraged by her father, a keen amateur painter. In 1973 she moved to Madrid where she studied art and architecture at the University of Madrid. In 1978, the Jewish community of Madrid commissioned her to paint a portrait of King Juan Carlos of Spain on the occasion of his visit to the synagogue. She moved to London in 1981 where she now lives and works. Bettina is best known for her evocations of Sephardi life in North Africa and her paintings of Jewish rituals. She also paints landscapes of Israel and France and still life including Jewish ritual objects. Bettina’s most recent work includes a series of large scale paintings showing Sephardi synagogues. These include a painting of the Tangiers Synagogue in which she worshipped as a child. Caro explains that ‘many of these synagogues are no longer used regularly for worship. I paint these lost treasures which need to be captured on canvas so that they can be available for future generations to admire’. A number of her works will Moroccan Jewish brides wearing their traditional dress, either preparing for the wedding ceremony or taking part in the Noche de Berberisca, the ceremony held before the wedding. Caro pays particular attention to the bridal outfit, explaining ‘the motifs are deeply symbolic. The skirt is embroidered with 12 gold stripes representing the 12 tribes of Israel and the corset is decorated with an image of the Tree of Life. I am particularly drawn to the headdress called the Jemaar which looks so like a crown. I was lucky enough to wear a dress brought to me by my cousin from Madrid and was delighted that my daughters continued this tradition at their own henna ceremonies.’ Several paintings focus on the North African tea ceremony where mint tea is served to guests. For these, Caro has painted her tea service, which belonged to her mother and which she carefully brought to England. Whilst the tea pot is made of silver, guests drink from delicate coloured glass cups that are decorated with gold leaf. There is also a series of Still Life paintings which depict items of Judaica and jewellery from Tangiers and Tetuan, which have been in the Caro family for generations. Bettina is regularly commissioned to paint portraits and her sitters have included Rabbi Abraham Levy of the Spanish and Portuguese Synagogue, Dayan Toledano and several members of the Dangoor family. She is also renowned for her original Ketubah designs which are much in demand from bridal couples. Bettina Caro has had a number of solo exhibitions including, most recently, a solo show at the Centro Sepharad-Israel in Madrid in 2018. She has also had two at the London Jewish Cultural Centre in 2011 and 2014. Her work has also been exhibited at the Mall Gallery and the G&C Gallery in Tunbridge Wells. Her works are in the collections of the Board of Deputies, The Northwood & Pinner Liberal Synagogue, the Ben Uri Gallery, the Spanish & Portuguese Sephardi Synagogue and the Israeli Embassy in London, as well as the Jewish General Hospital in Montreal.

• FIRST DAY OF SPRING

  FIRST DAY OF SPRING, 2023, OIL ON CANVAS, 100X80CM First day of Spring is a colorful and optimistic composition, the contrast of complementary colors enriched with forms and elements that enhance and transform into flying butterflies. The artist aims to represent transformation, hope, and the beauty of the season's rejuvenation. The Artist Clari Netzer

• RHYTHM AND CONSTRUCTION

  RHYTHM AND CONSTRUCTION, 2023, OIL ON CANVAS, 80X80CM captures the dynamic relationship between figures, objects, or elements, united in harmony yet distinct in their individuality. The artist uses bold, expressive brushstrokes and a rich color palette to create a sense of movement and energy , evoking feelings of balance, unity, and contrast. The composition invites reflection on the power of collaboration, the beauty of contrasts, and the complexity of relationships, offering a visually striking exploration of form, connection, and coexistence. The Artist Clari Netzer

• Adi Passo is an Israeli artist “In my work, I strive to capture the hidden soul of the objects I paint. Through painting flowers, I discover the balance between the lightness of the material and its fragility, integrating personal and emotional meaning into the creative process. My primary mediums are pastel and oil, which allow me to express my feelings and experiences in a rich and vibrant way.”

• Adi Passo is an Israeli artist “In my work, I strive to capture the hidden soul of the objects I paint. Through painting flowers, I discover the balance between the lightness of the material and its fragility, integrating personal and emotional meaning into the creative process. My primary mediums are pastel and oil, which allow me to express my feelings and experiences in a rich and vibrant way.”

• Adi Passo is an Israeli artist “In my work, I strive to capture the hidden soul of the objects I paint. Through painting flowers, I discover the balance between the lightness of the material and its fragility, integrating personal and emotional meaning into the creative process. My primary mediums are pastel and oil, which allow me to express my feelings and experiences in a rich and vibrant way.”

• Sculpture

  Rachel was born and raised in Jerusalem (1957). For a long time, she was devoted to the education of children with special needs, in teaching, training teachers and managing a school. Rachel holds an M.A. degree in special education from the Hebrew University of Jerusalem. From a young age, she has been involved in art. Painting in a variety of techniques and mainly sculpting in clay, and casting bronze, aluminum and polymer sculptures. In recent years, she has combined her love of both fields of art: painting and sculpting, by focusing on creating visual compositions in a way of painting on sculptures that she herself creates. The sculptures are colorful and full of joy of life, movement and imagination. Many years she sculpted and painted women and portraits of women, when the subject of self-image, exploitation and suffering of women occupied her and was the focus of the work while emphasizing facial expressions and body posture. The issue of marital relations has also taken an important place in her work. In early work, her sculptures were mainly naïve. With time passing her work became realistic and figurative. Her abstract work is characterized in vivid colors and it radiates beauty, light, dynamism and harmony and reflect her feelings and the balance she has reached in her adult life. As an example of the search for harmonious and colorful connections, she recently created a series of ball sculptures. Balls that form a chain. While the sphere is a perfect geometric shape, the spheres that Rachel creates on wheels have no perfection in them and each sphere in itself, despite its color, is trivial. By placing the balls and connecting them, Rachel examines the relations in space. Only when the balls are threaded and bonded together, the harmonious feeling is created and the perfection that does not exist in the individual balls becomes evident. The diversity of the individual spheres, in terms of the rhythms and colors and the diversity of the circles and shapes, connects into a whole and creates a composition and synergy in terms of the whole being greater than the sum of its parts. It seems that Rachel Frank creates an interesting synthesis between fashion, art and mental craft (ceramics in this case), with the central image that combines all three in her work being the ball. The sphere is a basic shape that exists in the universe, in nature and in culture. The circle and the sphere are considered the perfect forms in art and culture, and in certain religions, as well as in various mystical beliefs, even as a sacred form. Rachel creates with the colorful and dotted balls a kind of constellations that at the same time also echo the shape of plants in the wind or water. Images from the world of flora and fauna are embedded in many of her works, whether in ceramic sculpture or in painting. Branches, pods (pea pods), corals, dolphins, octopus arms - all these are identified with Frank's artistic language, giving it a look that is both foreign and familiar at the same time. Rachel has exhibited in solo exhibitions and in many exhibitions in Israel, in Russia and in an international exhibition of Naive Art in Poland

• Sculpture

  Rachel was born and raised in Jerusalem (1957). For a long time, she was devoted to the education of children with special needs, in teaching, training teachers and managing a school. Rachel holds an M.A. degree in special education from the Hebrew University of Jerusalem. From a young age, she has been involved in art. Painting in a variety of techniques and mainly sculpting in clay, and casting bronze, aluminum and polymer sculptures. In recent years, she has combined her love of both fields of art: painting and sculpting, by focusing on creating visual compositions in a way of painting on sculptures that she herself creates. The sculptures are colorful and full of joy of life, movement and imagination. Many years she sculpted and painted women and portraits of women, when the subject of self-image, exploitation and suffering of women occupied her and was the focus of the work while emphasizing facial expressions and body posture. The issue of marital relations has also taken an important place in her work. In early work, her sculptures were mainly naïve. With time passing her work became realistic and figurative. Her abstract work is characterized in vivid colors and it radiates beauty, light, dynamism and harmony and reflect her feelings and the balance she has reached in her adult life. As an example of the search for harmonious and colorful connections, she recently created a series of ball sculptures. Balls that form a chain. While the sphere is a perfect geometric shape, the spheres that Rachel creates on wheels have no perfection in them and each sphere in itself, despite its color, is trivial. By placing the balls and connecting them, Rachel examines the relations in space. Only when the balls are threaded and bonded together, the harmonious feeling is created and the perfection that does not exist in the individual balls becomes evident. The diversity of the individual spheres, in terms of the rhythms and colors and the diversity of the circles and shapes, connects into a whole and creates a composition and synergy in terms of the whole being greater than the sum of its parts. It seems that Rachel Frank creates an interesting synthesis between fashion, art and mental craft (ceramics in this case), with the central image that combines all three in her work being the ball. The sphere is a basic shape that exists in the universe, in nature and in culture. The circle and the sphere are considered the perfect forms in art and culture, and in certain religions, as well as in various mystical beliefs, even as a sacred form. Rachel creates with the colorful and dotted balls a kind of constellations that at the same time also echo the shape of plants in the wind or water. Images from the world of flora and fauna are embedded in many of her works, whether in ceramic sculpture or in painting. Branches, pods (pea pods), corals, dolphins, octopus arms - all these are identified with Frank's artistic language, giving it a look that is both foreign and familiar at the same time. Rachel has exhibited in solo exhibitions and in many exhibitions in Israel, in Russia and in an international exhibition of Naive Art in Poland

• Adi Passo is an Israeli artist “In my work, I strive to capture the hidden soul of the objects I paint. Through painting flowers, I discover the balance between the lightness of the material and its fragility, integrating personal and emotional meaning into the creative process. My primary mediums are pastel and oil, which allow me to express my feelings and experiences in a rich and vibrant way.”

• Sculpture

  Rachel was born and raised in Jerusalem (1957). For a long time, she was devoted to the education of children with special needs, in teaching, training teachers and managing a school. Rachel holds an M.A. degree in special education from the Hebrew University of Jerusalem. From a young age, she has been involved in art. Painting in a variety of techniques and mainly sculpting in clay, and casting bronze, aluminum and polymer sculptures. In recent years, she has combined her love of both fields of art: painting and sculpting, by focusing on creating visual compositions in a way of painting on sculptures that she herself creates. The sculptures are colorful and full of joy of life, movement and imagination. Many years she sculpted and painted women and portraits of women, when the subject of self-image, exploitation and suffering of women occupied her and was the focus of the work while emphasizing facial expressions and body posture. The issue of marital relations has also taken an important place in her work. In early work, her sculptures were mainly naïve. With time passing her work became realistic and figurative. Her abstract work is characterized in vivid colors and it radiates beauty, light, dynamism and harmony and reflect her feelings and the balance she has reached in her adult life. As an example of the search for harmonious and colorful connections, she recently created a series of ball sculptures. Balls that form a chain. While the sphere is a perfect geometric shape, the spheres that Rachel creates on wheels have no perfection in them and each sphere in itself, despite its color, is trivial. By placing the balls and connecting them, Rachel examines the relations in space. Only when the balls are threaded and bonded together, the harmonious feeling is created and the perfection that does not exist in the individual balls becomes evident. The diversity of the individual spheres, in terms of the rhythms and colors and the diversity of the circles and shapes, connects into a whole and creates a composition and synergy in terms of the whole being greater than the sum of its parts. It seems that Rachel Frank creates an interesting synthesis between fashion, art and mental craft (ceramics in this case), with the central image that combines all three in her work being the ball. The sphere is a basic shape that exists in the universe, in nature and in culture. The circle and the sphere are considered the perfect forms in art and culture, and in certain religions, as well as in various mystical beliefs, even as a sacred form. Rachel creates with the colorful and dotted balls a kind of constellations that at the same time also echo the shape of plants in the wind or water. Images from the world of flora and fauna are embedded in many of her works, whether in ceramic sculpture or in painting. Branches, pods (pea pods), corals, dolphins, octopus arms - all these are identified with Frank's artistic language, giving it a look that is both foreign and familiar at the same time. Rachel has exhibited in solo exhibitions and in many exhibitions in Israel, in Russia and in an international exhibition of Naive Art in Poland

• Dalia Segev Lives and creates in Israel. She graduated from the "Bezalel" Academy in the Department of Art (1988) BFA. She furthered her studies in etching at the Jerusalem Print Workshop (2011), took composition classes with artist Sasha Ukon (2019), and participated in color workshops at the "Hakolel" School with Ran Tenenbaum and Guy Avital. Segev mainly works in painting, collage, printmaking, and the combination of these techniques. Her work stems from the experience of observing and spending time in nature, in local, realistic, and imagined landscapes. Her painting style is loose and free, boldly colorful with textures and shapes that highlight the essence of the scene while being focused on narrative. She deconstructs and disrupts the landscape in terms of both color and form, engaging in creating new harmonies and searching for a point of balance. This is her response to life at the moment, in a boiling country where reality is shaken and distorted. She has exhibited in eight solo exhibitions in the country, including at the Artists' House, Tel Aviv (2024), the Print Gallery, the Municipal Gallery in Rehovot (2023), Beit Shmuel, Jerusalem (2016), and Gallery Efrat, Tel Aviv (2014). She has also displayed her work in group exhibitions both in Israel and abroad, including (2023) N.D in Ramat Gan, the Teddy Artist Workshops (2018) in Jerusalem, and the Manofim Festival (2012) in Jerusalem. Her works are included in various private and public collections in the country, the USA, and Bahrain. She was a member of the N.D cooperative gallery in Ramat Gan (2023).

• Dalia Segev Lives and creates in Israel. She graduated from the "Bezalel" Academy in the Department of Art (1988) BFA. She furthered her studies in etching at the Jerusalem Print Workshop (2011), took composition classes with artist Sasha Ukon (2019), and participated in color workshops at the "Hakolel" School with Ran Tenenbaum and Guy Avital. Segev mainly works in painting, collage, printmaking, and the combination of these techniques. Her work stems from the experience of observing and spending time in nature, in local, realistic, and imagined landscapes. Her painting style is loose and free, boldly colorful with textures and shapes that highlight the essence of the scene while being focused on narrative. She deconstructs and disrupts the landscape in terms of both color and form, engaging in creating new harmonies and searching for a point of balance. This is her response to life at the moment, in a boiling country where reality is shaken and distorted. She has exhibited in eight solo exhibitions in the country, including at the Artists' House, Tel Aviv (2024), the Print Gallery, the Municipal Gallery in Rehovot (2023), Beit Shmuel, Jerusalem (2016), and Gallery Efrat, Tel Aviv (2014). She has also displayed her work in group exhibitions both in Israel and abroad, including (2023) N.D in Ramat Gan, the Teddy Artist Workshops (2018) in Jerusalem, and the Manofim Festival (2012) in Jerusalem. Her works are included in various private and public collections in the country, the USA, and Bahrain. She was a member of the N.D cooperative gallery in Ramat Gan (2023).

• Dalia Segev Lives and creates in Israel. She graduated from the "Bezalel" Academy in the Department of Art (1988) BFA. She furthered her studies in etching at the Jerusalem Print Workshop (2011), took composition classes with artist Sasha Ukon (2019), and participated in color workshops at the "Hakolel" School with Ran Tenenbaum and Guy Avital. Segev mainly works in painting, collage, printmaking, and the combination of these techniques. Her work stems from the experience of observing and spending time in nature, in local, realistic, and imagined landscapes. Her painting style is loose and free, boldly colorful with textures and shapes that highlight the essence of the scene while being focused on narrative. She deconstructs and disrupts the landscape in terms of both color and form, engaging in creating new harmonies and searching for a point of balance. This is her response to life at the moment, in a boiling country where reality is shaken and distorted. She has exhibited in eight solo exhibitions in the country, including at the Artists' House, Tel Aviv (2024), the Print Gallery, the Municipal Gallery in Rehovot (2023), Beit Shmuel, Jerusalem (2016), and Gallery Efrat, Tel Aviv (2014). She has also displayed her work in group exhibitions both in Israel and abroad, including (2023) N.D in Ramat Gan, the Teddy Artist Workshops (2018) in Jerusalem, and the Manofim Festival (2012) in Jerusalem. Her works are included in various private and public collections in the country, the USA, and Bahrain. She was a member of the N.D cooperative gallery in Ramat Gan (2023).

• Dalia Segev Lives and creates in Israel. She graduated from the "Bezalel" Academy in the Department of Art (1988) BFA. She furthered her studies in etching at the Jerusalem Print Workshop (2011), took composition classes with artist Sasha Ukon (2019), and participated in color workshops at the "Hakolel" School with Ran Tenenbaum and Guy Avital. Segev mainly works in painting, collage, printmaking, and the combination of these techniques. Her work stems from the experience of observing and spending time in nature, in local, realistic, and imagined landscapes. Her painting style is loose and free, boldly colorful with textures and shapes that highlight the essence of the scene while being focused on narrative. She deconstructs and disrupts the landscape in terms of both color and form, engaging in creating new harmonies and searching for a point of balance. This is her response to life at the moment, in a boiling country where reality is shaken and distorted. She has exhibited in eight solo exhibitions in the country, including at the Artists' House, Tel Aviv (2024), the Print Gallery, the Municipal Gallery in Rehovot (2023), Beit Shmuel, Jerusalem (2016), and Gallery Efrat, Tel Aviv (2014). She has also displayed her work in group exhibitions both in Israel and abroad, including (2023) N.D in Ramat Gan, the Teddy Artist Workshops (2018) in Jerusalem, and the Manofim Festival (2012) in Jerusalem. Her works are included in various private and public collections in the country, the USA, and Bahrain. She was a member of the N.D cooperative gallery in Ramat Gan (2023).

• Colorful landscape

  This painting is one of the Provence landscapes collection . Painted with a knife on linen canvas . Red and deep green 95-65 cm rolled

  https://www.abramovichpatricia.co.il/contact-1
• Lilach Road

  Provence serie pink road is a provence landscape with blue montains and red flowers by the side of the road. Size 70-80 cm

  https://www.abramovichpatricia.co.il/contact-1
• Brown fields

  Provence landscapes collection . Painted with a knife , ready to hang Deep brown merged with yellow and green 90-80 cm

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• Italian landscape

  Blue landscape from mervalous Italian places .Blue mountains in this dreamy painting Size 100-80cm.

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• Between the trees

  One of the Provence landscapes collection this painting is Bold and the trees Fall color is Terracota . For Patricia, the more exciting moments in her trip was to travel in the region with her Daughter Stephanie . The roads are decorated by amazing trees wearing their Fall colors. 70-80 cm

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• Red fall tree

  Imaginated landscape from Japanese fall seasons gardens Size 130-90cm Rolled

  https://www.abramovichpatricia.co.il/contact-1
• Paysage 4

  Provence , the south of France is colorful and inspiring. The all body of landscapes works was inspired by the awesome region . Patricia and her daughter Stephanie traveled there and enjoyed the nature. Green and red merging with pink . 70-80 cm

  https://www.abramovichpatricia.co.il/contact-1
• Silent landscape

  I painted this oil on linen canvas from a shoot taken in the fields of Provence The serie of Provence landscapes is semi abstract ,painted with a knife. Ocre yellow and deep green 95-65cm

  https://www.abramovichpatricia.co.il/contact-1
• Yellow road

  Group exhibition Miami Florida USA
• Paysage 3

  The trip in Provence was so inspiring for Patricia This landscape in Green and Violet bold colors was inspired by a shot taken during her travel. 70-80 cm

  https://www.abramovichpatricia.co.il/contact-1
• Oרange field

  Orange field is one of Patricia prefered creation. She painted it from a landscape she was surronded by when she travelled to Provence , France with her daughter Stephanie . The colors are fall bold colors for the fields and the Cypress tree in dark Green . Painted with a knife' s painter . Size 70 -80 cm

  https://www.abramovichpatricia.co.il/contact-1
• Fall in Japan

  Fall trees are fanicating me , espacaly the Japanese one This beautiful oil is framed with golden thick frame. size 40-55 cm framed

  https://www.abramovichpatricia.co.il/contact-1
• Pink trees in Raanana

  Large landscape from the park in Raanana ,Israel Size 95-60cm

  https://www.abramovichpatricia.co.il/contact-1
• In the Field

  Soft rose Landscape road and trees for a dreamy painting Size 60-50 cm

  https://www.abramovichpatricia.co.il/contact-1
• Grey sky

  Semi abstract oil painting green landscape merging deep green and yellow with a touch of deep red.90-80 cm

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• Certificate of Authenticity for every order

  Certificate of Authenticity for every order

These artworks are the result of the trauma we felt in Israel after the terrible attack and massacre in Israel on the 7/10 By Hamas terrorists. The artworks will be for sale from the 1st of May as they are shown in an exhibition at my gallery until then .

• BEERI 1

  On the 7/10 /2023 Hamas terrorists attacked Isareli people on the borders of Israel . Kibbutz Beeri was one of the most destroyed kibbutz and about 100 men women and children have been murdered , massacred , burned , raped and kidnapped to Gaza. The pictures of the Beeri homes ruins touched my heart as they commemorate the horror that the people of the kibbutz went through and still are going through as kidnapped in Gaza. I had to document the horrors

• BEERI 2

  On the 7/10 /2023 Hamas terrorists attacked Isareli people on the borders of Israel . Kibbutz Beeri was one of the most destroyed kibbutz and about 100 men women and children have been murdered , massacred , burned , raped and kidnapped to Gaza. The pictures of the Beeri homes ruins touched my heart as they commemorate the horror that the people of the kibbutz went through and still are going through as kidnapped in Gaza. I had to document the horrors

• BEERI 3

  On the 7/10 /2023 Hamas terrorists attacked Isareli people on the borders of Israel . Kibbutz Beeri was one of the most destroyed kibbutz and about 100 men women and children have been murdered , massacred , burned , raped and kidnapped to Gaza. The pictures of the Beeri homes ruins touched my heart as they commemorate the horror that the people of the kibbutz went through and still are going through as kidnapped in Gaza. I had to document the horrors

• NOVA 2

  On the 7/10 /2023 Hamas terrorists attacked Israeli people on the borders of Israel . Nova festival was a music event with about 3000 young people that went to dance .More than 300 of them have been murdered , raped and burned and some are still in Gaza as kidnapped people in a terrible situation The pictures of the attack we saw on the TV are unforgettable . I think when I painted these aquarelles I felt sorrow , anger and pain and above all a sense of loss of control over life . There is no way the mind can process these crimes

• NOVA

  On the 7/10 /2023 Hamas terrorists attacked Israeli people on the borders of Israel . Nova festival was a music event with about 3000 young people that went to dance .More than 300 of them have been murdered , raped and burned and some are still in Gaza as kidnapped people in a terrible situation The pictures of the attack we saw on the TV are unforgettable . I think when I painted these aquarelles I felt sorrow , anger and pain and above all a sense of loss of control over life . There is no way the mind can process these crimes

• BECAUSE LIFE IS STRONGER

  A few weeks after the massacre in Kibbutz Beeri , I heard in the news that the kibbutz reopened the dining room . They opened the printing house that gives its services to big organizations in Israel too. I felt something healing happened and I finally painted some colors on the canvas after weeks I could not paint anything but red and Black colors as blood and fire i

• WAR

  When IDF army decided to enter Gaza as a ground maneuver with tanks and boots on the ground I felt the power of the situation and I painted "war" ' an acrylic on canvas powerdul artwork

• KYRIAT SHAUL

  After weeks of war ,I saw so many funeral ceremony when young soldiers are burried and the heart feels so hard . When I began to paint this large aceylic I had no idea the fowers from the graves will appear on my canvas

• TOGETHER WE WILL

  The most important understanding I learnd from all the events of the war that is still active is that I discovered the beautiful people we have in Israel and I pray for that the united feeling between all the parts of this Israeli people will last after the war. Because we can survive only as a united people .we must love each other no matter what is our back ground or political opinions . This diptych painting speaks about this need Size 85-85 cm each

• TOGETHER WE WILL

  The most important understanding I learnd from all the events of the war that is still active is that I discovered the beautiful people we have in Israel and I pray for that the united feeling between all the parts of this Israeli people will last after the war. Because we can survive only as a united people .we must love each other no matter what is our back ground or political opinions . This diptych painting speaks about this need Size 85-85 cm each